The ten layouts are all to the 10x10 foot scale and the one constant is the fireplace on the middle of the right hand side. The size details for the furniture combinations are listed in the captions of each slide in the gallery and are visible as you click through them.
• A mix of differently scaled seating pieces makes for a pleasant visual pattern - room #4, with its eclectic mix of large sofa, small armchair, ottoman twins and a side chair provides lots of seating AND maintains a flow of open space.
• Smaller pieces work well set on a diagonal to the main horizontal/vertical grid of the room, but when you try to do that with a larger piece (even a loveseat), it is a major loss of space. Unless you are looking to fill up a "too big" room, this is a very challenging way to go.
• Width is more of an issue than length in a square space when it comes to the major seating pieces - even though the sofas used are much longer (7'4") than the loveseats (5'3"), in most of the arrangements, they still work in this much space, due to their relatively narrow depth
• While potentially not the best for a room where you do lots of entertaining, a small scale sectional is actually a wise space saving move. In addition to providing lots of comfortable seating for when you want to stretch out and relax, it goes a long way toward defining the space without overwhelming it.
• Round coffee tables are easier to work into most layouts - they provide a balance to squared off larger seating pieces and don't break up the flow of the room as readily as a rectangular table.
• A very strict symmetrical arrangement of the larger seating pieces (both sofa and loveseats) takes up the most room, cutting back on the feeling of open space and flow. The mix of one large piece balanced by two smaller chairs creates an instant feel of openness that is sacrificed by the more formal arrangement.
• It was surprisingly easy to keep the focal point of the room on the fireplace in all 10 of the different room mockups, due to its central location midway along one of the "walls". While fireplaces are not normally movable, other common focal points, such as televisions or artwork are, so, given the opportunity, moving the focal point out from a corner and directly onto one of the mid-point axis of the space is a good way to go.
To build my mockups, I used the Raymour & Flanigan Interactive Room Planner, which a reader pointed me in the direction of earlier this week. It was super easy to manage, had nice features and is free to use.
I found this to be a fascinating exercise, one that will inform future arrangements, and one worth spending a pleasant hour or so doing. I'd recommend it for anyone to try, but definitely think it's worth a go for those of us with somewhat challenging room configurations to deal with.
That said, all of this good intel on my particular space aside, I know if confronted with an amazing vintage furniture find, I'd throw caution and all of my lessons learned aside and just bring it home. What about you? Do you do room mockups before purchasing furniture or just follow your heart and hope for the best?
Image: Janel Laban
(Re-edited from a post originally published 6.8.11 - JL)