Ettore Sottsass' designs are quite intensely unique, but they're also surprisingly clever, deep and an inspiration for many design movements that came after him. They also happen to be remarkably recognizable due to the incredibly bold, jarring design elements that make his work so fun. Seemingly shallow, Ettore was known for using color, shape and material to create strong emotions in the viewers of his furniture design and architecture.
Facts:
Quote: "When I began designing machines I also began to think that these objects, which sit next to each other and around people, can influence not only physical conditions but also emotions. They can touch the nerves, the blood, the muscles, the eyes and the moods of people."
Attended: Politecnico di Torino in Turin. Graduated in 1939 with a degree in architecture.
Known for: Fluorescent/neon colors. Glossy, slick surfaces. Odd, angled and lop-sided shapes. Laminate patterns with high contrasts and squiggle shapes. Basically the 1980s in furniture/design form. Post-modernism design and arts to the max. Powerful architecture. Industrial design.
Representative Pieces Shown Above: (left to right, top to bottom)
1) Bookcase
2) Set of Two Multi Colored Laminated Cubes
3) Pair Ettore Sottsass "Mandarin" Chairs for Knoll International
4) A "Tahiti" Lamp by Ettore Sottsass for Memphis
5) Mirror by Ettore Sottsass for Glas Italia
6) Totem
7) Ettore Sottsass Glass Centerpiece
8) A Memphis ''Don'' Desk Lamp designed by Ettore Sottsass
9) Memphis Porcelain Nilo Vase
10) Unique Stool
Sottsass On the Web:
Images: Ettore Sottsass on 1stdibs











Shaw's Original Fir...
Hmm... posted just last week questioning whether Memphis isn't due for a comeback right about now....
If anyone has ever placed books on that bookcase, nobody was around to photograph it. Just try to find a photo of that bookcase being used for its intended function. (This assumes that "bookcase" is not an ironic label, although it's possible that the intended function is to make money and fill space.) I can't endorse a product that looks good in the showroom but looks dismaying when in use, I can't endorse a product whose looks are so paramount that they render the function undesirable, and I can't endorse saying "I have to have nothing but mod, graphic books because my normal books and my beautiful old books make this furniture look dowdy."