Naco Nocturnes, a sound, light and painting installation at the deYoung by artist
Armando Rascon, is worth the price of your admission ticket alone, never mind the
Gee's Bend and
Chicano exhibitions (both of which we also visited and are amazing, and which we will be blogging shortly). The subject of the installation is the US/Mexico border, and how it "functions as a site of cultural definition rather than political division."
If you visit the museum, spend some time with this one. Each graphic, exuberantly-colored circular painting (Fall color contestants, take note), which the artist told us are made to look like they're painted on tortillas, is a subject or symbol of cultural significance on one or both sides of the border. The border fence looms ominously to the left (shadow visible in the first image), while the tortillas practically pulse with symbols and stories from the many lives it divides.
Comments (2)
excited to get back to de young/i love that you cover it/yr take on it/thank you (as well as for featuring anything mexico related; looking forward to AT mexico, america + canada).
Yeah, I saw this exhibit and loved it too... it's next to a really huge piece of the fence that's between the US and Mexico. Really fresh take on the political issue...
p.s. Speaking of Gee's bend. Did ya'll see the US Postal Service just came out with their Gee's Bend stamps. Really cool.