
While art purists will no doubt howl, we like the broad exposure being afforded these works and the recognition for the people who produce them.

While art purists will no doubt howl, we like the broad exposure being afforded these works and the recognition for the people who produce them.
But were not talking poster art here. Were talking Wouter Deruytter, Herbert List and Imogene Cunningham, to name a few of the current and vintage (big) names being showcased at both of these retailers under the Williams-Sonoma umbrella. The Pottery Barn group is extensive and varied, and in many stores, mechandised to encourage collecting en masse, also (handily) selling their picture ledges to great effect.
West Elm shows some more experimental images and techniques, including some modern takes on the botanical by Catherine Cardarelli, who uses modern technology to document the subtleties and quirks of nature, with haunting effect.

Overall, its still pretty safe art, and not even the edgiest work of the artists represented like the pretty but innocuous haybales of Yellowstone County by Deruyyter, and not his sexually-charged Cowboy portraits from the same book, that could almost be stills from Brokeback Mountain.
The good news? Budding talent is getting a wider audience by name, big names are getting bigger recognition, and you are getting nicely framed, fairly grown up art, for a fraction of what these same images are selling for in galleries. For example, Deruyyters images from the Cowboy series, when you can still get them from galleries like Brooklyn's Wessel+O'Connor, run upwards of $5000, while Yellowstone County at Pottery Barn is $350, framed.
The bad news? Large or open-ended editions mean little or no resale value, so you should buy for love, not investment. And the prints at Pottery Barn are printed on watercolor paper, in a pseudo-sepia tone, so they never quite hit the deep tonal quality some want from an original gelatin- or silver print.
Like online etsy and approachable galleries like Mixed Greens, we like any venue that gives artists alternative distribution options, raises the bar on quality, and opens the door to the inner sanctum of art galleries.
The level of photography sophistication in San Francisco, home base of the WS folks, is really high.
San Francisco was a touchstone of early photographers and gallerists....and is still a destination for The Fraenkel Gallery, photography strengths at The De Young and SFMOMA among others.
I'm not surprised. Bravo.
S
view Cracker's profile
Maybe this is like the equivalent of Target's approach to bringing fashion to the masses. I wouldn't buy these photographs (I prefer more challenging art) but I do agree that anything helping gain exposure for the artists is a step in the right direction. It might encourage someone who fell in love with one of these lower-priced prints to go out and splurge on the "real thing" later, when they have the funds later on.
view typediva's profile
Go SCAD! I'm an alum myself and I'm really happy that West Elm is giving this opportunity to students and SCAD professors.
view Laura's profile
I went to SCAD as well and noticed names of people I knew in the most recent West Elm Catalog. How surreal. Guess I should have gone into Photography instead of Illustration. haha.
view bumfuzzled's profile
Really? What year?
2005 for me.
view Laura's profile
Nice exposure for the younger artists, but overpriced for open editions. I feel a little bad for the buyers who may eventually figure that out, and as a result not enjoy their artwork purchase quite as much.
view brooklyn-em's profile
SCAD photo student here too... this collection is continuing as we have just received a fresh call for entries from west elm.
As a student, I can tell you that if you truly desire a particular piece you've seen from the open editions, merely track down the student via Google or by contacting the SCAD Alumni office. I know that most, if not all, of the photographers would be more than happy to sell you a signed, closed edition that is probably printed better.
view napk's profile
I visited Savannah this spring and fell in love with a photo series that I saw at a cafe. The manager pointed me to SCAD shop where I was able to get the contact information for the artist (Chia Chong)
Not only did she help me decide which print would look best in my space, but she took care of the mounting and shipping, too (and all of this happened through email).
I realized that I'd seen her work before in the West Elm catalog, but it doesn't impact how I feel about buying her work at all. I really enjoy dealing directly with the artist (as I have with other pieces I own).
I think it's a lot like the fashion industry - many designers do entry-level lines for stores like Target and Kohl's while maintaining successful couture business, too.
view Kathryn's profile