I first saw Stanley Kubrick’s A Clockwork Orange when I was in high school and found it to be extremely subversive and most enjoyably provocative then — and have seen it in eight-year intervals since. Based on the 1962 novel by Anthony Burgess, it was filmed in 1971 and set in the near future. The decline-of-civilization narrative becomes tamer to these now-weary eyes upon each new viewing, though formally I’m still intrigued by the film’s design, and what elements are used to convey the future.
























































