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ColorTherapy: Boucher at the Frick

Name: Whispering Hills VM114 (more below)
Brand: Ralph Lauren

There’s a shade of green I’ve hated since infancy that I now call “church basement green,” and which was also the color of the basement floor in the suburban rambler I was raised in. But I’m an adult now and love to travel, so imagine my surprise at discovering how pervasively this color is used in French boiserie. It’s called celadon, or sea foam, and you see it all over France...

 
 
9.19painting.jpg

The Boucher Room and the Frick here in New York has as its base color this same green. Francois Boucher created the painting cycle "The Arts and Sciences" that adorn its walls for Madame de Pompadour ca. 1760, which places its decor in the Louis XV/Rococo period. Compared to the heavy Baroque style of Louis XIV, Rococo interiors were much softer, more feminine and sensual. Mrs. Frick originally had these panels installed in her second floor sitting room, but now you may see them downstairs next to the dining room and the Fragonard Room, both appointed styles.

9.19frick2.jpg

I've always thought sea foam green was dirty and depressing, but lately have seen it through different eyes, especially in this example. Here the wall color has a slightly reserved quality, which stands in contrast to the whimsical narrative of "les enfants de Boucher"-children playing adult rolls of Comedy and Tragedy, &c. There's a pale sage color that I'm often called upon to use, which leaves me feeling listless. The color of the palette used in the decor of the Boucher Room is much fuller and livelier than that-it's rich, graceful and serene.

Possible color matches: Ralph Lauren Whispering Hills VM114, In The Meadow VM109, Emperor VM126, Carson Blue TH69.

- Mark Chamberlain, interior and decorative painter


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Comments (8)

and old favorite of mine, though I'm not sure it would translate in New York light

posted by JonathanB on September 19th 2007 at 10:37am
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As a color for decorating, it's not one I'd choose since green is mot my bag color wise, I do conceed that it does have it's uses, but more as an accent than as a primary color.

One combination I kind of liked was the dark green, aka forest green and paired it with the sea foam, a combo often used in the 50's.

Now a chartreuse with a robin's egg blue or turquoise is a fun combo that I like a lot and chartreuse has more yellow to it which makes it work for me more than most other shades of green.

posted by ciddyguy on September 19th 2007 at 10:44am
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I think the lesson here is not just the color used, but how it is used and with what other colors it is paired...the large pict at the top has a subtle dynamic between the seafoam green and pale blue but then punctuated by the hits of gold that liven up the whole space and pick up on the parquee flooring color!
In the next example the almost pinky orange tone is the perfect compliment to the soft blue and all set against a soft green backdrop!!
a room done in just seafoam green and white might be very sterile and cold but don't be afraid to add a little something something to liven it up!!

posted by bball on September 19th 2007 at 11:36am
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Am I the only one here seeing this as a sort of powder/delft blue?

There's a little green in some of the paintings - is that what we're talking about here?

Or, um, wait -- are we talking about the background color in the top picture, the one the panel paintings are set against? My work computer read that as "white", and only after staring at the photos for a good long while did I see it as anything other than cream/off white on my home monitor.

Interesting, as I'm considering a vaguely celadon shade in my living room, and what I want is something that will read "white" to the eye, but hint at something more complex.

posted by the opoponax on September 19th 2007 at 5:21pm
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Thanks for posting this, Maxwell. All those pale, murky 18th Century greens & blues can look really dirty used against white or clean pastels, but like you say, they take on a lot of richness when used with other similar colors. Context is everything. My own favorite historic green is still the slightly darker shade used up the street in the Tesse Room at the Met. Of course, lots of gold leaf slathered all over the place never hurt anything, either.

Magnaverde.

posted by magnaverde on September 19th 2007 at 6:15pm
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Maybe the color is not the "same" without the smell of mold?

posted by Cate on September 19th 2007 at 6:18pm
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I love this color! Although it looks to me like the matches you point out on the Ralph Lauren web page are much darker than what we're looking at in the first photo.

I painted my kitchen "celadon" (looks almost exactly like the walls in the first photo) with white trim and the cabinets a soft buttercream yellow. One of the things I like about this color is that it seems to agree with almost any color accessories, giving me a lot more leeway than the very dark red the kitchen used to be.

My experience with the white trim is that it went from looking dingy against the dark red, to clean and shiny white against the soft green.

Opoponax, it definitely looks like a soft green to me and I've looked at it on two different monitors.

posted by kuroneko on September 20th 2007 at 7:56am
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P.S. I never cared much for green in decorating before, but this color is the one that won me over to start using it.

posted by kuroneko on September 20th 2007 at 7:56am
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