apartment therapy changing the world, one room at a time


ColorTherapy: French Bleu, Part Deux

(Please note that during the month of August, Mark will be taking a break, developing new posts and running favorite old posts for your pleasure.)

7-18--french3.jpg

Possible Names: Feather Soft 1431, Victorian Trim 2068-50, Fine Paints of Europe E14-43 and E15-3
Brand: Benjamin Moore & Fine Paints O.E.

Last year we looked at the deep blue the French use to paint exterior store fronts in Paris. By comparison, this week I’d like to point out another French usage of blue I saw all over Provence, and again my examples are exterior. The color in these photographs is much cooler and softer than our Parisian blue, though I feel it stops short of being an indeterminate pastel.

 
 

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I can only imagine it evolved into common usage because it tempers the hot sun-on-stones effect that light here has on these buildings.

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I actually had to go to my watercolor catalogs to identify what I was looking for, and the closest I came was Ultramarine Violet, or blue with little drops of purple in it; it’s not turquoise, it’s not cerulean, and it’s not a slate blue either. I especially like the combination of blue/brown in the opening photograph, which I hope will be another column in the near future.

Possible matches:
Feather Soft 1431, Victorian Trim 2068-50, Fine Paints of Europe E14-43 and E15-3
Nothing Ralph Lauren.


- Mark Chamberlain, interior and decorative painter


(ReEdited from 2006-07-18 - MC)

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Comments (11)

I love the color...I have been experimenting with glazes that will reflect the Biscayne Bay, which is my view. It is closer to turquoise than the french paint, but I don't want to overwhelm the room. Any suggestions? Bella

posted by Bella on 2006-07-18 18:17:36


Since we are talking about blue, what shade of blue would give the effect of a sky ?

Visualise this - the sandy beach, the overgrown grass and the blue sky - brings on a blissful feeling to any beach goer

posted by denise on 2006-07-18 18:34:12

I also like the red door contrasted against it.
Good juxtaposition, but I can't think of a beach reference for the red? Cooked lobster? JK!

posted by sassy on 2006-07-18 19:03:35

Sassy: coral! Don't forgot the effect of the light on these colors, which partly explains why they look so extraordinary in context but are hard to recreate in our more temperate climate (though I don't know about TODAY! Whew!).

posted by Jane on 2006-07-18 19:21:05

Oh, yum. The shutters in the second picture are a similar color to what I'm planning to put on the walls in my study/lounge. I like seeing how great the dark red door looks, since I'm planning on incorporating some stronger colors. Good to see how it can work.

I always look forward to Color Therapy.

posted by marm on 2006-07-18 20:14:35

I love the color, but I think it would be near impossible to duplicate. Look how luminous it is and take into account the age of the paint and the location -- it's probably a different paint formulation than you can get here.

Also -- Bella -- paint the color of Biscayne Bay? I'm not against it. In fact, I think it's one of the most beautiful bodies of water in the world and worth duplication.

But to me, the most amazing part of the bay was how it changed colors depending on the date and time. I grew up in Florida and worked at WSVN-7 -- literally on the bay. I never saw it the same color twice.

Just my 2 cents

posted by Andrea on 2006-07-19 00:13:33

Oh great - now I have this sudden urge to chuck work and go to France on holiday. Immediately. :)

posted by Michelle on 2006-07-19 02:56:27

Mark,
I love these posts! They are one of my favorite parts of AT.
Blue traditionally was/is used around windows and doors to keep out bad spirits. At least, that's the explanation given for the tradition of blue door frames and window sills on southwestern adobes. I think it has its roots in Catholicism.

posted by 2nd DC Christine on 2006-07-19 09:51:13

I JUST GOOGLED Biscayne Bay and the color blue is different in every single picture. if you're trying glazes, what about a blueish blue for the base and a greenish blue for the glaze coat?? flip through the Ben Moore classic deck--i like saturated colors, but those that are complex, like a greenish blue with a drop of grey, rather than bright turquoise.

To recreate a sky color, i would think something robin's egg. i don't like too primary or too cerulean, it's the impression or suggestion you're after and i find a drop of green in a blue makes it more whimsical. i can't name a color here, it's all relative to your light, architecture, furniture &c. Just used 680 opal essence for the sky/base in a riviera mural i'm working on, but see that's off a green tint. however, w/ the brown tile &c here it's the perfect thing.

yes the light is impossiblely beautiful in provence, and around the mediterranean in general, it's like you're always looking at everything through a photoshop filter. that's why impressionist painters flocked there, the vivid colors. certainly the paints are different there, will do a post on my first Fine Paints of Europe experience after i finish my travelogue.

posted by Mark CHAMBERALAIN on 2006-07-19 19:30:22

so nice. hard to believe someone actually lives in these idealic homes.

posted by mariegael on August 14th 2007 at 6:53am
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The sky is a lot of shades of blue. There's the beach at sunrise, the beach at midmorning, midday, midafternoon, evening, sunset and twilight.

posted by Lady J on August 14th 2007 at 8:44am
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