"The machine doesn't decide what the shape is going to be; a human being has to decide that...Just because you make it by hand doesn't make it good, or a work of art."
- Edith Heath
We love Heath Ceramics and
we talk about them, um,
a lot. Yeah, you caught us. But in our defense, if Heath didn't produce such dang amazing products and didn't live and breathe the ideals of the perfect company, we wouldn't need to obsess. Need further proof that we're innocent here? More evidence below the jump...
Check out
this article in the latest issue of
American Craft.
It retells the story of how Catherine Bailey and Robin Petravic swooped up and rekindled the 60-plus year Heath Ceramics and most importantly, what we can look forward to in the coming years (hint: 2nd generation Chez Panisse dinnerware).
For more on Heath Ceramics, be sure to visit their fantastic and
newly updated website.
And don't miss
Robin and Catherine's house tour (try not to drool all over the keyboard).
-shayna
Heath ceramics are timeless... my parents purchased a complete set of tableware, along with some serving pieces, about 37 years ago and the design still looks fresh. We used those dishes every day... and even though a several pieces have chipped and/or been broken over the years, the remaining pieces are still in great shape!
view ingrida's profile
that top photo is lovely
view Sassy in SF's profile
I'm glad to hear that everyone is responding to the story. I'm the creative director of
American Craft Magazine and wanted to give a shout out to the
Laurie Frankel, the photographer and Birte Walter, the stylist for bringing the simplicity and beauty of Heath Ceramics to life. It was such a fun photoshoot. Cathy and Robin allowed us to set up temporary photo studio in the factory.
Captions for the photos (top to bottom)
The top photo shows a hand-thrown cup by Edith Heath from the 1940s, left, rests comfortably next to a hand-worked experimental jigger cup from the 1960s.
Vintage casseroles from the 50s, no longer in production.
A mix of current production field ties and colors sit side-by-side with some of Heath's current productions oval tiles.
Roy McMakin collection. Available only through the Matthew Marks Gallery New York.
Counterclock-wise from top left: Pouring bowl, current production, design 1940s; salt shaker, current production, design 40s; Roy McMakin vase, design 90s; creamer, current production, design 80s; small teapot, current production, design 40s; studio mug, current production, design 40s; tea cup without handle, design 40s.
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