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The Exterior Paint Files: Rusty Terracotta Reds

On a trip to Rome last year, my husband and I became obsessed with the rusty terracotta color of so many buildings there. As you can see, we took zillions of photos of buildings in this color family, hoping to find a shade we might replicate for our own Spanish-style house, which is currently painted a rather shocking citrus yellow. Trouble is, while any good paint store can approximate a color, even the best house painters can't replicate the sun-baked finish of the paint jobs in Rome's picturesque piazzas—and any attempt to do so would surely look as fake as it sounds. More on our dilemma after the jump...
 
 

33109georgianbrick.jpg

One favorite: Benjamin Moore's Georgian Brick

Looking over the photos now, we're trying to decide whether these rusty terracotta reds are the right way to go. Possible drawbacks:

• Rusty reds look great in the sun, but let's face it—most of the time, it's overcast and foggy here in San Francisco.

• We don't want a color that's matchy-matchy with our adobe tile roof.

• So many rusty paint colors have so much pink in them; we might run the risk of ending up with something too "Sedona" (to quote a friend).

• With a stucco house in a Mediterranean style, we have to wonder if going with a clay red color is a bit too "literal."

Thoughts? House-dwellers, we'd love to hear how you chose your exterior paint. Have you been inspired by your travels? If so, did the finished product live up to your far-flung fantasy?

Tags

Outdoor, painting, fixing & repair, terracotta, exterior paint, Mediterranean, adobe tile

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Comments (17)

i'm no designer but i think that color with the red tile roofs would look weird. i have red tile roofs and the beautiful white walls. there is a beautiful building in santa barbara that has been aged wonderfully. greens and grays accentuate the stucco cracks so it looks as if it's been there for 100 years!

posted by Joan in SB on March 31st 2009 at 8:49pm
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This is something to contemplate over a sweet vermouth on the rocks, with a twist.

posted by ElleBee on March 31st 2009 at 9:00pm
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I lived in Rome for one term of architecture school and understand the appeal of the beautiful colors of the buildings. They have patinaed over many centuries and have had layer upon layer of refinishing in colors that may be close to the original, but not exact. There in lies some of the beauty---the irregularities of layers of colors. There are ways to duplicate the effect. Most likely it will take a professional to have satisfactory results that you seek, but it is possible. Several coats of exactly the same color will not produce the effect of age and patina---it will result in a look that is flat and dull. Venetian plaster on the interior walls of a home is as close as I can think to describe a newly applied finish what would be a similar look to the aged plaster on the exterior of a building. The variations of color in the exterior walls need not clash with nor compete with tile roof color. Nearly every roof in Rome is tile!

posted by youngbloop on March 31st 2009 at 9:09pm
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I too was obsessed with this when in Rome - alas, I think trying to replicate it is not a great idea. I think it is one of the elements of magic that only Rome has - it's just part of the overall environment, the history, that just can not be reproduced in washes. Viva!

posted by jess! on March 31st 2009 at 10:23pm
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Actually, I think yellow with a red tile roof looks great. Maybe you just need a deeper, more orange-y, earthy yellow? I've also seen a slate grey and deep mossy green done. They offset the red beautifully and look good in the fog!

I live in a rainy West Coast city, too, and I can understand the desire to replicate the feel of more sun-drenched climes. But it often doesn't look quite right when people try to import an aesthetic that's specific to a different climate.

posted by dearmisha on March 31st 2009 at 10:39pm
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can you post a picture of your house? the stone lintels and black shutters in the photos you posted provide a necessary contrast to the large expanses of terracotta color. as long as your home has some sort of similar effect to break up the monotony, i'd say go for it!

posted by kitkatkasha on March 31st 2009 at 10:50pm
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Whilst not identical, you can get interesting effects from using a lime wash paint.

posted by MrCranky on March 31st 2009 at 11:05pm
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As mentioned above, what you see when you look at those buildings is ages of patina and weather. Using a single colour will only look flat and dead regardless of how great the colour you use is. The look you're after can be simulated. Using 3 or 4 colours simultaneously is one way to get what you're after. Another technique is lime wash. Of the 2 techniques, lime wash is the closest to traditional materials used in Italy. The lime wash has been used there for centuries but needs to be applied in successive coats to build up depth. Many coats of slightly varying tints will look aged and weathered. The most common red colour is...Venetian Red or Iron Oxide Red. Adding other tints can adjust the base colour from pink to earth toned. It takes a fair amount of work but the final results can be amazing!

posted by johann on March 31st 2009 at 11:38pm
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Um. No. No lime wash. No faux finish. Bad color.

This is Northern California, not Italy ... you will hate that color in this light on a house ...

posted by Randy Dandy on March 31st 2009 at 11:44pm
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I have to agree with Randy. Rome is Rome. The quality of the light, the texture, and everything else is unique to the city. It's hard to make new things look old in a non-cheesy way. And I think that paint color is asking for trouble. It could go "late '80s suburbia" faster than a Roman cab driver.

posted by madsarah on April 1st 2009 at 7:26am
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Could you post a picture of your house? It is too abstract to try to do this theoretically.

However, I have to agree with many of the earlier posters -- and as you point out, the light in San Francisco is very different from that of Rome, and even if, through great effort and expense, you manage to achieve a semblance of the colour through layering, you will never succeed in capturing the colour you love.

But there is another alternative that would suit your house and your context... and that will be largely dictated by your house.

posted by mschatelaine on April 1st 2009 at 7:57am
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What's wrong with accepting the fact that Rome is Rome? Embrace the style and beauty of your own region and keep your beautiful memories of Rome as memories, rather than trying to recreate them in San Francisco.

posted by slowdown on April 1st 2009 at 9:34am
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Don't forget to add trompe l'oeil lintels, faux window landscapes, and maybe some little gnomes too.

posted by LBhirise on April 1st 2009 at 9:52am
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Had a small Spanish style house by the beach in So. Cal that we painted terra cotta - slightly different than the one above - more orange. It came out almost the exact color of the roof tiles. I think the color above has too much pink. We have since moved but the house is still painted that color and has aged nicely - all reds fade considerably. We painted the trim white and had colorful tiles on steps and mixed in around terra cotta patio. Lots of plants created the needed contrast.

Just and aside I think exteriors look the best when you use three colors - either walls in two different colors or two different trim colors. Also against trying to replicate Rome just doesn't work.

posted by karamel on April 1st 2009 at 1:01pm
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ElleBee, I'll have one too. And I'd like to say a prayer and drink to world peace.

posted by charper on April 1st 2009 at 3:07pm
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I know, it happens: After a summer in Tuscany, I now have clay tiles on my kitchen floor. They would be just fine in Siena, but just so wrong in my kitchen.

When IN Rome, do as the Romans do. When in Northern California, I'd paint the house white, like the Spanish missions and accent with blue window frames. That would be California.

Sorry, it may be that I am just on a mission against faux Mission. Have fun!

posted by fledgling on April 1st 2009 at 3:26pm
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I have found instructions for several exterior faux and real painting techniques in three books: "Outdoor Painting Techniques" Niven/Hennigs, "Using Natural Finishes" Weismann/Bryce and "Italian Plaster Techniques" M. Soens. Many of the old techniques have been up-dated using new materials. I used to do scene painting in the Theater, it's all smoke and mirrors!

posted by glenclem on July 15th 2009 at 12:04pm
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