was one of the artist invited by Herman Miller to adorn an Eames rockers for the current Design for You
competition (you can read more about the prizes here
). Here's a peek inside his Eagle Rock, California home studio where Andrew practices his geometric graphic style.
How long have you worked in your current studio? And where is it?
I moved from Pasadena to Eagle Rock about five months ago. It is only about six miles away from my the old place but somehow it feels more “LA” to me. I work from home so my studio consists of a spare bedroom and a garage which I have yet to take advantage of. Eventually (hopefully soon) I plan on doing all of my printing and painting out of the garage but since moving here I have mostly been doing work for clients so there hasn’t really been a need to set it up.
Describe your style? How would you define your aesthetic?
My style tends to be very graphic. Geometric and organic shapes combined with a lot of different textures. Partly due to the fact that a lot of my work is screen-printed. Aesthetically, it’s kind of hard to say since I jump around a lot but it definitely has a nostalgic or retro quality to it. I have heard my work be described as future folk before but I am not entirely sure what that means.
As an artist how do you keep your space organized? I’m thinking here of the physical space but also your computer. Are there any particular programs you find really useful? Shelves, lots of shelves and drawers. Basically anywhere I can hide things. Having a garage is great, I no longer have printers and power tools looming over my head waiting to attack with the next earthquake.
What would you change about your workspace if you could? The windows, though they are great and provide good lighting, swing inward and make it difficult to put furniture anywhere. My desk and shelving are where they are because they have to be. The mid wall light fixtures don’t help the situation either.
What do you most love about your space? The old beat up wood floors and, contrary to my previous response, the lighting.
Tell me about the experience of painting the Eames chair? How much prep did you have to do? What inspired the final design? Well, since I had to finish the piece within a short amount of time I arrived knowing what I was going to do with a mock up in hand. Admittedly, I was a little freaked out about being filmed but it turned out to be a great experience and I really enjoyed it. It was good to put faces to names of people whose work I knew and admired. The design I came up with based on the tag line of “for a better world around you”. I knew I wanted it to be simple and have something to do with nature so I came up with the bird/peacock design. It seemed to work well with the form of the chair.
What inspires you? Everything. People, places, events etc. I try to get out of the studio, experience new things and break routine as much as possible. Sitting within four walls all day can be quite mind numbing.
Originally published at Lifework by Cerentha Harris