The rich interior of the palazzo starkly contrasts to the contemporary art displayed throughout the space. Which do you prefer: the opulent palazzo of the Prada Foundation or the crumbling artisan workshop space of the Gervasuti Foundation?
Shown in the Images:
1. and 2: "Confluenze" (1967), by Pino Pascali is on the floor of the main hall on the second level. The piece consists of rectangular metal tins filled with blue water. The ceiling and wall frescos in the room are reflected in the water.
3. and 4. "Tulips" (1997-2005), by Jeff Koons fills an entire room.
5. "Void Field" (1989), by Anish Kapoor fills the first level with large stones.
6. "Untitled" (1965) by Bruce Nauman.
7. "Loving in a world of desire" (1996), by Damien Hirst consists of a beach ball floating about a brightly colored air blower.
8. Prototype of sponge aluminum for the Pondazione Prada in Milan, Italy. Frescos undergoing restoration are behind the prototypes.
Read more about the Prada Foundation in Venice by clicking here.
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• Inspiration: Europe's Laundry Lines Revisited
Images: Rachael Grad









Commercial Flour Sa...
Even with my degree in art ed, I am not a fan of installation art, especially things like pans of colored water. Sometimes conceptual art is too much into the "emperor's new clothes" mode... if the artist can convince you it's "real art", it becomes real art. But I'm not convinced. (Oh, by the way, I have known conceptual artists who admittedly worked on that fake-out plan, so it's not merely cynicism on my part.)
I normally really enjoy modern art pieces in incongruous places, but much like Sherry the blue water piece just isn't working. Perhaps a different color or no dye at all would have worked better.
I *love* the Void Field, though. Must have been a job and a half getting all those in there without damaging the floor.
Was in Venice and went to the Biennale. There was so much crap art.
I'm an artist that has never "gotten" most installation exhibits. I have always assumed the artist was laughing all the way to the bank. The palace deserves much better art than this.
Oh, and Jeff Koons being accepted as a genius is the biggest farce of our lifetime.