EDIT design-build studio. They push us to measure each decision against our final intent. This focus has sharpened our design skills and offered us a steady framework for moving forward. Inspiration: We are inspired by the locally sourced materials in the original structures and by the thoughtful way the buildings are sited on the property. We also admire the work of architect Samuel Mockbee. One of our favorite books is Rural Studio, Samuel Mockbee and the Architecture of Decency. Favorite Element: The exposed stone, because we tend to favor a “rawness” in construction materials. We love the bones of the house. Biggest Challenge: Coring through 30-plus inches of that unyielding stone to add a bathroom. Also, evicting unwanted mammals from the home’s attic. What Friends Say: First they’re moved by the features created by the original builders, including the amazing lay-up of the stone. After that, they respond most to the ease with which one can live in this house, because it’s uncluttered and functionally arranged. Proudest DIY: That we’ve stuck to our intent of using locally sourced materials wherever possible. And that we preferred reuse over recycling and used over new. We also make every effort to use materials that will endure: metal roofing, materials that are naturally resistant to decay, exceptionally crafted industrial lighting, well-executed framing, etc. Biggest Indulgence: Hands down, our 30-inch Wolf stove. But it was a small price to pay considering that our son Eric, a chef in Duluth, loves to cook for us when he finds time to visit. Best Advice: Purchase good tools if you can. Good work endures; consequently, the tools that make it possible are worth the initial investment. We manufactured our kitchen cabinets using portable power tools by Festool. Best Reason Not to Go It Alone: You don't have to. You can benefit from your community. Develop relationships with like-minded people willing to assist and educate. It is amazing how many talented people live within 20 miles of our decidedly rural location! We plan to have a retreat/studio on the prairie one day, where artists can come for a week to work; our friend Steven Mankouche has even taken on this project as part of his tenure proposal for professorship of architecture at the University of Michigan. His insights have been invaluable. Green Elements/Initiatives:
Secured a federal grant to fund development of a 40-acre prairie
Processed about 80% of all building materials from locally sourced trees. We used trees on the premises, as well as some felled by our local electric company when they cleared along their utility right-of-way.
Sided more than 50% of our home with salvaged siding. The quality of this siding far surpasses anything new we could ever have afforded.
Salvaged large Douglas fir timbers from utility contractors, using them for structural timbers
Lit 100% of the woodworking studio and about 50% of the home’s interior with salvaged, restored industrial lighting. We’ve salvaged so many lights that we’ve actually started a small business providing industrial lighting to a number of clients, especially those seeking LEED certification.
Installed an in-ground (closed-loop) geothermal heating system
Upgraded to low-E energy-efficient windows, low-flow toilets
Garden intensively and fuel our stoves with wood from our own property
Source materials for people seeking to re-use/re-purpose building materials
Future Green Goals: Capture water from the barn roof for garden irrigation; capture, filter and utilize sump water for some domestic use, like laundry; and install a composting toilet for guests staying in the granary. Someday we would like to purchase a solar array that could offset a portion of the electrical demand for our geo-thermal system.
Gail Fredell, who also has pieces in San Francisco’s MOMA. Aside from our small Nakashima table and Windsor chairs made by Bob Dillon in Minnesota, nearly all our furniture is owner-made or second-hand. One of our best finds was an original Knoll Brno chair we had reupholstered in Madison by The Straight Thread. The chair cost $5.25, although the leather upholstery was a bit more! We embrace the classics but happily mix them with any pieces that are functional, tasteful, and affordable. To that end, we love our new IKEA Hemnes dresser!
Accessories: Cirrus ceiling fan from Modern Fan Co.
Lighting: One Nelson lamp and one Martz lamp from our college days; Juno remodel cans; other fixtures are recycled industrial lights, primarily Crouse-Hinds and Holophane, circa 1945-50
Rugs and Carpets: Our Iranian and Pakistani rugs were given to us by our good friend Kye. Two bedrooms are carpeted with surplus industrial wool felt, bought for $1.50 per square yard. We also have numerous small felt rugs that were stitched by an Amish friend.
Tiles and Stone: We salvaged nearly 100 slate blackboards from a local technical college and sawed them into tiles.
Windows: Windows are Loewen or Marvin low-E windows, to qualify for federal energy credits
Artwork: One favorite piece is our C. Jere sculpture “Raindrops,” purchased by my parents in 1972. We have numerous pieces made by artist friends, including wood turner Rus Hurt, painter/sculptor Lamar Briggs, Carol Anthony, John Scott, ceramists Takashi Nakazato and Abigail Murray, and Steven Mankouche, as well as work by our sons Ryan and Eric. We met many of these people when Rick was teaching at Anderson Ranch Arts Center in Colorado.
Paint: No-VOC and low-VOC interior latex paints from Sherwin-Williams Harmony and Duration Home lines
Flooring: Hardwood flooring was milled by Herman Borntreger Lumber, a local Amish mill. Cork flooring is from Eco-Friendly Flooring in Madison.
Design: Ryan Sturtz and Zoe Kardasis, EDIT Design Build
(Thanks, Toni and Rick!)Green Tour Submission Form. (Images: granary exterior-Rick Sturtz. Others-Therese Maring)