Stephanie Chan

After fleeing the commune, Bow and her family find a new home in her grandfather’s rental house, which production designer Greg Grande conceptualized for the small screen.

“It’s lovely,” says a smiling Beth Ann as she arrives in front of her new home—a Mediterranean-style mansion—with husband Rob. Not only “lovely,” the property plays a central role in the dark comedy-drama “Why Women Kill.”

Although Bernadette's house in the movie, in theaters Aug. 16, is supposed to be in Seattle, production designer Bruce Curtis told Apartment Therapy that the architectural wonder was a mashup of three different elements.

If your grandmother was suffering from an illness and she didn’t know, but you did — would you tell her? That’s the conflict Awkwafina grapples with in her starring role in Lulu Wang’s feature directorial debut, “The Farewell,” out Friday, July 12.

“We have to go to a party tonight,” Beanie Feldstein declares to her best friend, Kaitlyn Dever, in “Booksmart.” “Nobody knows that we are fun. We didn’t party because we wanted to focus on school and get into good colleges.” To prove just how fun they are, the dynamic duo decide to live it up for one evening.

Fifty-four years since her big-screen debut, Mary Poppins is still practically perfect in every way. The magical nanny reappears in Disney’s highly-anticipated sequel, “Mary Poppins Returns,” starring Emily Blunt in the charming titular role (as Julie Andrews did before her in the 1964 musical movie).

There’s a moment in the upcoming Warner Bros. romantic comedy, “Isn’t It Romantic,” when Rebel Wilson walks into a fancy New York apartment she doesn’t believe belongs to her. “Someone’s broken into my apartment and they’ve taken everything and replaced it with much nicer stuff,” Wilson explains to a 911 operator as she discovers pints of Talenti gelato in the freezer and rows of heels in the walk-in closet.

Hulu’s new series, “Shrill,” isn’t afraid to tackle tough topics. In fact—spoiler alert—Aidy Bryant’s character Annie gets an abortion in the first episode. It’s an experience that feminist author Lindy West recalled in detail in her hit 2016 memoir of the same name.

“Little” offers a big look on two strikingly different homes: One that belongs to a demanding tech tycoon and the other to an overworked assistant of said tycoon. The Tina Gordon-directed comedy, which hits theaters April 12, sees Jordan (played by Regina Hall) as a founder of a mobile gaming company who bullies a kid magician and wakes up as her 13-year-old self (Marsai Martin) the next day.