The Most Realistic HGTV Shows, According to Real Estate Pros

If you’ve ever watched HGTV, you know how easy it is to get sucked into the shows. While there’s no shame in binging whatever reno-marathon is on TV, it’s important to remember that these programs are not always accurate.

“Most of these shows do no favors to Realtors because the process of buying a home or fixing one up is much more complicated than they portray it,” says Missy Cleary, a buyer’s agent with The Cleary Group in Sarasota, Florida.

Additionally, timelines on reno-based shows can set unrealistic expectations for homeowners, and don’t always reflect the issues that can occur during the process, says Brenda Bradshaw, a buyer’s agent with The Cleary Group in Bradenton, Florida. At the end of the day, both Cleary and Bradshaw say that it’s perfectly fine to be a fan of these shows but to remember that they’re made to entertain—not reflect real life.

While none of the shows are totally accurate, some are more lifelike than others. Here, the two experts rank these eight shows on HGTV, from least realistic to most realistic, based on their professional experience.

Clients seeking a new home visit three different places and pick their favorite in this well-known (and often iterated) series.

Unsurprisingly, this show got the lowest ranking from both Bradshaw and Cleary. Cleary notes that only looking at three houses and finding your dream place is completely unrealistic. While some of her clients have genuinely believed that they will find their new home after only a few showings, she’s had to deliver the harsh reality: Real-life house hunting generally requires looking at between 10 and 30 houses at the minimum. Cleary actually had a friend star on an episode, but the friend had already purchased the home prior to filming (this scenario is very common).

In this show, homeowners trade in their regular-sized homes for a tiny house (around 220 square feet) to live a low-cost life.

The tiny home trend has been gaining popularity, but both Bradshaw and Cleary say that it’s not a very realistic way of life for most people. Bradshaw says the problem with “Tiny Luxury” is that it doesn’t show the buyers actually living in their tiny home. “Moving from a larger 1,000+ square-foot house to 220 square feet is crazy ridiculous,” she says. She’s also heard that many tiny home owners struggle to keep up the lifestyle full time.

Cleary agrees, saying that the show romanticizes the ideas of living tiny. “I have heard a lot of feedback that most people like the idea of a tiny house but end up deciding it’s not practical at all,” she says. Only select few are able to maintain a tiny house lifestyle (it’s a lot of sacrifice). Those who want to take part in the trend but aren’t willing to downsize may want to consider buying a tiny house and renting it out as an investment property. Many people would prefer vacationing in a tiny house to living in one full-time, Cleary adds.

A contractor and a designer team up to flip houses and make a massive profit.

Cleary says that the selling process on this show is pretty unrealistic as well. “My major negative on this show is that they usually show an open house at the end of the show, and the house almost always sells for above the asking price on the first day of the open house.”

Bradshaw agrees that this show is inaccurate, saying that the profit the team makes is misleading and messes with the community’s housing market.

“On many flipping shows, people are making a reasonable $20,000 to $30,000,” Bradshaw says. “[The hosts] usually make over $100,000 on the transaction. I always feel bad for buyers in the area because [these renovations] inflate the prices.”

Home buyers come to popular vacation destinations to find a beautiful beach home at a reasonable price.

Cleary says a positive aspect is that it shows that most people have to compromise on location when it comes to getting a beach house.

“You can’t always get everything you want, meaning you may have to be a few blocks from the beach to stay within your budget,” she says.

But Bradshaw says she’s mainly not a fan of this show because it has set unrealistic expectations for some of her clients looking for a beach house in the Sarasota area.

“Buyers can’t seem to notice the show is usually in beach areas that are not as desirable,” she says.

She adds that some show locations aren’t warm year-round, in which case the new owners won’t be able to rent out the house to recoup costs—a large part of what makes a home a “bargain.” Bradshaw says she’d like the show to more realistically depict buying and owning a beach house.

In this show, homeowners must choose between their newly renovated home (headed by a designer) or a brand new home (found by a real estate agent).

Bradshaw says this show is pretty accurate when it comes to getting your dream home. “There are always trade-offs for the homeowner or buyer, and in many cases, money is being spent on items that cannot be seen,” she says. “The designer does a great job thinking out of the box and coming up with design features and compromises that utilize the budget and answer the owners’ needs list.”

Despite the competition between the designer and the real estate agent being a little over the top, Bradshaw thinks the show does a good job of setting expectations: “It showcases the point that location matters,” she says, adding that in most cases in order for a homeowner to get all their needs addressed, they will likely need to move out of their desired area or learn to be happy with their home’s new updates.

The famous duo, Chip and Joanna Gaines, take on a massive renovation project in Waco, Texas, to give their clients a beautiful house.

Both Bradshaw and Cleary are fans of this show—but who can blame them? Bradshaw especially likes that the Gaines usually run into a few hiccups with the house—either plumbing problems, electricity snafus, or foundation issues—and have to problem solve and take concessions for the sake of the budget. But Bradshaw says that other aspects of the show are not as realistic. In most cases, buyers on the show must already own a property, so the look-at-three-and-purchase set-up isn’t accurate. Cleary adds that the reno timeline isn’t particularly lifelike, either.

Twin brothers—one real estate agent and one contractor—come together to renovate a fixer upper and create a new home for their clients.

This show ranks high on Bradshaw’s list because she likes the idea of looking at a home’s potential over its face value. “The idea of taking a home that shows poorly and going through the trouble of getting exactly what you want by waiting a few months is great for home buyers or homeowners to see,” she says. “The clients on the show end up with a home that is worth much more than they paid and is pretty close to perfect for them.”

What she doesn’t like as much? The timeline.

“Remodeling an entire house takes a while with permitting, planning, and execution,” she says. “I find it hard to believe they are getting it done that quickly.” Cleary agrees, saying that both the home-buying and remodeling processes are given unrealistic timelines on the show.

In this series, first-time home buyers try to get the house of their dreams, but end up facing many obstacles throughout the process.

This program shows first-time home buyers facing every obstacle in the book—issues with inspection, bidding wars, hidden expenses, etc.—which is why Bradshaw believes it to be the most realistic. “All the issues on this show do occur in real life,” she says.

Her one hang up? That these problems can arise with any home purchase, not just the first one. But Bradshaw says that, overall, the show does the best job out of the eight shows in setting expectations for real life homeownership. “I think it’s a great idea to let buyers know what can happen during a transaction so they’re not thrown off if something goes wrong.”

Updated on September 6, 2019—LS

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